Paranoia Agent Episodes

Episode Recap Paranoia Agent on TV.com. Watch Paranoia Agent episodes, get episode information, recaps and more. The Edit List - Paranoia Agent Episodes 02 - 03 (Jun 15, 2005) The Edit List - Paranoia Agent Episode 01 (May 30, 2005) 2004 Year in Review - Anime Highlights (Jan 26, 2005). Season 1 guide for Paranoia Agent TV series - see the episodes list with schedule and episode summary. Track Paranoia Agent season 1 episodes. Paranoia Agent is a Japanese psychological thriller anime series created by director Satoshi Kon and produced by Madhouse. Music for the series was composed by Susumu Hirasawa.3 The series premiered in Japan on WOWOW from February 2, 2004 to May 18, 2004. Paranoia Agent was previously licensed in North America by Geneon Entertainment who produced an English dub.

Tsukiko Sagi is a shy character designer who created the extremely successful Maromi, a cute pink dog with eyes as big as Tsukiko's. However, her company wants another character very soon and Tsukiko is out of ideas. Stressed out from the pressure and the jealously held by her co-workers, Tsukiko becomes depressed and wishes for a miracle. Her wish comes true as she is suddenly attacked with a golden baseball bat! She describes the suspect as a 6th grade boy wearing golden roller blades and a red hat to the detectives, Ikari and Maniwa. However, Ikari doesn't buy Tsukiko's story while Akio Kawazu, a sleazy tabloid reporter, tails Tsukiko trying to get a story out of her.
  • Director
  • Cast

    Daisuke Sakaguchi, Haruko Momoi, Hisako Kyouda, Kenji Utsumi, Kotono Mitsuishi, Makoto Tsumura, Mamiko Noto, Mayumi Yamaguchi, Nana Mizuki, Ryûji Saikachi, Shozo Iizuka, Toshihiko Nakajima, Toshihiko Seki

Paranoia Agent, despite being extremely short, is a very intriguing series to watch. Its disturbing imagery plays upon our innermost fears and the characters we’re introduced to show the various forms fear can take. For those who have never seen Paranoia Agent before, it’s set in cotemporary Japan, beginning with a young woman named Tsukiko Sagi, who is being pressured by her company to create a new character that is just as popular as Maromi, a cartoon dog with pink fur and extremely large eyes. But one evening as she’s walking home, a mysterious boy wearing rollar blades assaults her with a gold baseball bat. While the police are doubtful of her story, they send two detectives Keiichi Ikari and Mitsuhiro Maniwa out to catch this kid, dubbed Lil’ Slugger, who is assaulting other people as well. Unfortunately, the only clue these detectives have to go on is that Lil’ Slugger usually assaults someone who is on the verge of a mental breakdown.

Agent

The cause of these breakdowns is unique for every victim Lil’ Slugger attacks (see Fig. 1), but they typically come from some deep-seated psychological problem that is brought to its full-height by fear. For this reason, they are unable to deal with their present circumstances. This inability then causes them to look for something that will alleviate their problems, whether it be something as masochistic as Lil’ Slugger, or deceptively comforting as Maromi. But what it all boils down to is repression, and its consequences.

For example, there is one kid named Taira Yuuichi who is extremely egotistical and conscious about how others view him. While he tries to hide these flaws through his role as class president, his popularity starts to rapidly decline when the students start comparing him to Lil’ Slugger because of his age and what he wears. He even goes to the point of suspecting another kid for spreading the rumors, though he has no actual proof. So by the time Lil’ Slugger knocks him out with the bat, Taira’s fear of losing his status as the popular kid has overwhelmed him completely. But what occurs after he’s hit is very interesting, because despite having a head injury, Taira is no longer stressed, and he doesn’t remember what caused it.

The same thing happens to the other victims, but as the series progresses, we discover that these so-called “cures” are only temporary. This in turn causes the fear to return, and Lil’ Slugger feeds off of these fears until he nearly consumes all of Japan. Now whether he is real or not is debatable, but what the show implies is that he’s a psychological demon created from Tsukiko’s denial when she accidentally killed a puppy, who happened to be named Maromi, when she was a little girl. So when she created the character Maromi many years later, the reppressed guilt began to surge, and then combined with the fear of losing her fame if she couldn’t meet her company’s demands, Lil’ Slugger came back, and she once again used him as an excuse to hide from her troubles. But because she was so famous, the image of Lil’ Slugger spread into the unconsciousness of the millions who heard the police report, who was then summoned by the mentally deranged who needed a form of escape, which included a sleazy reporter, a woman with split-personality disorder, a man whose ideals clash with a low-life reality, a boy who sees the world as a role-playing game, and a mediocre employee who murdered everyone on his production team.

All of these people are so far off the beaten path that fear is like a disease to them, and the only solution is through self-inflicted pain, which temporarly makes them forget it. But not everyone is completely clean, because as the influence of Lil’ Slugger increases, so does the popularity of Maromi. Born out of a disturbing event that Tsukiko tries to forget, Maromi also represents repression, but with a more comforting appeal. While Lil’ Slugger’s demeanor is dark and frightening, Maromi’s is innocent and cuddly (see Fig. 2). Its adorable face makes one forget one’s troubles in an instant, taking them to a happier place that lies outside of real life. However, the characters who experience this are completely out of touch from reality, leading to a false black-and-white interpretation that lingers as long as the complex fears remain reppressed. An example of this occurs when Keiichi, after being laid off the Lil’ Slugger case due to a suspect being murdered under his and Mitsuhiro’s pr0tection, falls into a vivid daydream where he’s back in the days of his prime as a cop while being accompanied by Maromi and a younger version of Tsukiko posing as his daughter, even though he never had one. Eventually, images of his wife start to appear, reminding him of the fear he has for her weak health and their shaky marriage. Through her, he learns of her recent death, which snaps him out of the false reality he’s created under Maromi’s influence.

So as you can see, despite Maromi and Lil’ Slugger’s differences in terms of promoting repression, they are similar in that they were made by the same person, and they both feed on the fears of people to sustain their existence. However, their attempts at reppressing people are thwarted by certain individuals, namely the detectives and eventually Tsukiko, because instead of giving into their fears, they accept them in some form. For Keiichi, it was the love for his wife that gave him the courage to realize the truth about Lil’ Slugger. Meanwhile, Mitsuhiro decided to take the path of the spiritual warrior, allowing him to confront Lil’ Slugger on a physical and psychological level. As for Tsukiko, it was accepting the guilt of her previous actions, and that was what ultimately destroyed her inner demons.

Paranoia Agent Episode 2

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